Showing posts with label queer rights. Show all posts
Showing posts with label queer rights. Show all posts

Monday, January 21, 2013

Four Years, Two Inaugurations, and Richard Blanco’s “One Today”

“The dust of farms and deserts, cities and plains / mingled by one wind—our breath. Breathe. Hear it…”

-- Richard Blanco, January 21, 2013


As I tuned in the presidential inauguration today, I was most looking forward to the poem. 
At Othello Station, Southeast Seattle, 2012


It is the only part of today’s event about which I could feel unequivocally optimistic. I’m not a fan of winner-takes-all voting and I realize that President Obama never promised to be anything but a centrist (those who felt disappointed by his first term perhaps weren’t truly listening to him during his campaign).

But I was thrilled to hear that Richard Blanco would be the inaugural poet. Richard and I are both members of the Macondo Writers’  Workshop, have many mutual friends, and are the same age. Hearing that he had been chosen as the inaugural poet felt like a sweet success for several interwoven movements for social justice, movements that have defined my generation. And the simple brush with fame amazed me: I knew (ever so slightly) someone who was now a member of a very small club that included Robert Frost and Maya Angelou.

President Obama's speech was an excellent warm-up act for the inaugural poem. For the first time in my life, I actually agreed with more than a few words of an inaugural speech. I felt the hard work of so many, who have struggled for so long, acknowledged in the President’s words:

“We, the people, declare today that the most evident of truths – that all of us are created equal – is the star that guides us still; just as it guided our forebears through Seneca Falls, and Selma, and Stonewall; just as it guided all those men and women, sung and unsung, who left footprints along this great Mall, to hear a preacher say that we cannot walk alone; to hear a King proclaim that our individual freedom is inextricably bound to the freedom of every soul on Earth.

It is now our generation’s task to carry on what those pioneers began.  For our journey is not complete until our wives, our mothers, and daughters can earn a living equal to their efforts.  Our journey is not complete until our gay brothers and sisters are treated like anyone else under the law – for if we are truly created equal, then surely the love we commit to one another must be equal as well.”

Our journey will not be anywhere near complete then, but we will be a bit farther down the path.

I held my breath as Richard Blanco took his place behind the podium. He opened and closed his mouth twice before he began speaking. I imagined all that might tumble from his mouth: a scream, a sob, a shout of victory. A second of silence and then his poem: a gift of collective images and private moments, a mirror held up to reflect many of us, lines of simple elegance:

One sky, toward which we sometimes lift our eyes
tired from work: some days guessing at the weather
of our lives, some days giving thanks for a love

Fir forest, Whiteley Center, San Juan Island,
January 2009
Four years ago, I sat in a forest cottage at an island writers’ residency, watched President Obama’s first inauguration on my laptop, and traded FaceBook notes with high school classmates I’d not seen in two decades and would likely never see again. Most of them, like me, had not voted for Obama. I couldn’t bring myself to vote for a candidate who supported two unconscionable wars, rather than universal health care and marriage rights. I’d gone Green while my long-ago classmates had gone to the elephants. But on that day, for a few minutes, we all felt proud of our country.

Rock pineland forest, Everglades National Park,
January 2013
Today, I sat at a picnic table in a pineland forest of the Everglades, watching the inauguration on my phone. We are closer to some of us having access to health care. We are closer to equal love under the eyes of the law. Civilians are still dying from the wars we wage. I yearn for Maya Angelou’s riverside.


I can see Richard Blanco, and so many others, yearning for the riverside. I hear our collective breath, as expressed by our Inaugural Poet:


We will keep dreaming, imagining, questioning, solving.

Saturday, April 9, 2011

The Art of Losing

"The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster."

This is not my favorite Elizabeth Bishop poem, though I know that many of my poet-friends worship "One Art." To be fair, "Wendy's Favorite Elizabeth Bishop Poem" would be a hard-won title, indeed.

In the first (and, it must be said, only) poetry workshop I ever took, more than a decade ago, the brilliant and generous Mark Doty looked at my terrible poems and said, "Study Elizabeth Bishop."

In the first writing class I ever taught, in the fall of 2006, we read and savored "The Fish" -- sans the final three lines. I asked my students to come up with their own final three lines, before we looked at the trio that Bishop had created. I was struck by how close my students' endings were to Bishop's. Half of them had Bishop tossing the fish back, as she actually did in the poem. The sign of perfect craftswomanship, I think.

"Telling True Stories" workshop at TSKW.
For the last two weeks, I've been Writer in Residence at The Studios of Key West (TSKW). Last week, I taught a two-day workshop to a half-dozen Key West writers. This week, I was just settling into a new essay, when I was foolish enough to leave the door to the lovely Mango Tree House open while I was upstairs. I returned to my writing desk to find my phone and wallet had disappeared.

Yes, the art of losing is quite easily mastered.

I was impressed that someone had managed to come inside without making any noise, and even more impressed that the person chose to leave behind my laptop. (Perhaps it was the fact that it's so old and worn that the E, R, S, F, V, and N keys are blank and the Caps Lock and Page Up keys are missing altogether? Or perhaps s/he didn't want anything that couldn't be pocketed.)

624 White Street in Key West, where Elizabeth Bishop
lived in the late 1930s and early 1940s.
Hoping the person might have only really wanted the cash, I walked the neighborhood, peeking into bougainvillea and lifting garbage can lids. I did not find my phone or credit cards, but I found something more important. I realized I've been staying just three houses away from the one where Elizabeth Bishop lived during her most of her years in Key West. A front-gate plaque from the Friends of the Key West Library informed me of this fact. Bishop's former home is a classic mid-nineteenth-century Key West home, a style called an "eyebrow house," because of the way the roof overhangs the second-story windows to create shade.

Key West's Old Armory.
She bought her White Street house in 1938 and lived there with her lover for several years. Read more about Bishop's time in Key West at The Queerest Places blog and The Academy of American Poets. She did not not just live and write on this block of White Street, she observed it deeply. She painted the Old Armory that now houses TSKW. Bishop left the island in 1944 and headed south to Brazil.

I will leave these inspiring studios and this magic island tomorrow, and in a couple weeks, I, too, head to South America. (I'm going to Venezuela for a two-week visit.)

Something lost, something gained.

Thursday, January 27, 2011

Out in the Silence

“We’re here, we’re queer, and we’re going to show a film in your library.” Those are the words of a movement in the making.

All over America, local LGBTQI-rights organizations are going into their local libraries, explaining that they have a documentary film about LGBTQI rights in rural America, and saying they would like to hold a showing. All over America, the film Out in the Silence is ending the silence. On Tuesday, February 2, this film will open the 2011 DC Human Rights Watch film festival. And as I am packing my bags for a week in DC, I will be there!

A bit of backstory:
Around the time I started writing No Word for Welcome (that is to say, one long decade ago), a friend of mine began, as he put it, “playing around with a video camera.” Joe Wilson is now (along with his husband, Dean Hamer) the producer-writer-director of Out in the Silence, an enormously important and inspiring documentary film. Joe and Dean have done far more than build a good film, they have honed a powerful tool for social change. And that film is helping to build a movement.

"Libraries are a great bastion of participatory democracy," Joe says. For books. For film. For all of us.

Read more at the film’s website and watch the trailer for the film: